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Moonwind
Analog Filter Tracker

is a true analog stereo filter with built-in step sequencer, a fantastic sounding digital FX chip, two LFOs and envelope modulation.



Everything is storable and controllable via Midi.

You can play the Moonwind like a synth by Midi notes and play melodies on the filters if they whistle in self-resonant mode.

The sequencer is able to control cutoff, Q and resonance per step and filter and thus turns the stereo filter with analog fed back effects into a creative instrument of its own.



This makes the Moonwind an easy-to-use and awesome analog sounding engine that is playable like a synth and can be seamlessly integrated into a DAW recording system.

Available since March 2012.


© 2012 Jomox GmbH


Specifications

  • Two real analog low noise multimode filters
  • OTA technology *
  • Per filter Q (narrowness) and Resonance are separately adjustable **
  • Per filter the shapes lowpass, highpass, bandpass and notch are assignable
  • The filters are connectable among each other ***
  • Per filter there is one LFO which controls the cutoff ****
  • Per filter there is envelope amount, the envelope is created from the audio with an analog envelope follower
  • Inputs are Hi-Z and can amplify guitar or bass signals directly

  • Digital effects chip with 15 algorithms
  • Analog FX Feedback in order to create tape delays and wave guides
  • Three parameters per FX algorithm
  • The effects programs include chorus, flanger, tremolo, reverb, delay and some more exiting programs
  • Eight effects programs can be reloaded by OS update later on
  • Built-in noise generator

  • Sequencer can record Cutoff, Q and Res seperately per step and filter
  • Maximum 64 steps per pattern
  • Maximum 16 steps per bar (then max. 4 bars), bars can be dynamically set according to the number of steps per bar
  • Clock divider can resolve max. 32th per bar
  • Record/undo function to record filter trails by the rotary knobs
  • Sequencer and LFOs are midi clock synchronizeable
  • Midi notes control the cutoff of the filters, CCs the rest of parameters

  • Cutoff, Q and Resonance are made as classical potentiometers
  • Stable metal axis potentiometers and encoders with axle bearings
  • 2x24 character LCD display
  • OS is updateable by Midi

* Operational Transconductance Amplifier, i.e. it is no transistor ladder (Moog filter) as in the T-Resonator. Therefore excellent vibrational performance across the entire audio range from 10Hz-30kHz is provided.

** If Resonance=0, then Q=max creates an extremely narrow-banded filter without getting into self-resonance (sine wave oscillation). If Resonance>0, then also Q>0 has to be set to make the filter resonate.

*** Stereo, Parallel (both filters mixed to mono), Serial (both filters in a line), Feedback (a part of the output signal is cross-wise fed back into the other filter and vice-versa) and Feedback Parallel ( the same as feedback, only that both sides are mixed together)

**** LFO waveforms are: sawtooth up, sawtooth down, triangle, sine, rectangle 50/50%, rectangle 12.5/87.5%, rectangle 25/75%, rectangle 75/25%, rectangle 87.5/12.5%.


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